It’s a job that just suits me?

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foto by Reinhard Krause

Blogging can be frustrating. There’s a variety of subjects I would like to write about, and more come up every other day – but I should really work (on this blog that is) on, for instance, expanding my piece on Carchitecture and not jump from topic to topic like a little grasshopper.

Here’s stuff that makes me think, though, and just might be developed into a future post: I’ll consider these snippets little placeholders that hopefully will help me nag into actually write the things.

I would like to write about the use of photography in architecture – after all, all of us architects are ready to profess that architecture is a spatial art, and yet we have to admit that most of the buildings, yes, even the buildings that influenced us the most, we know from pictures that are as flat as really flat things. Modern architecture has been accompanied and diffused with photos since it’s beginning, and the kind of photos, the subject matter in them, and their setting in a book or article were very important in spreading the word. The amount of pictures of buildings on the Internet is stunning, and sites like Archdailyand Dezeen offer each day a generous helping of jpegs. So there is a true virtual existence of buildings that lives parallel to the actual buildings, sometimes even superseding the fysical reality – the grainy black and white pictures of Eileen Gray’s E1027 house on the Côte d’Azur are the reality everybody refers to, since the building has turned into a sad ruin and the restoration has not been going very well (maybe you can help??). Pictures proselytise, serve as manifestos, indoctrinate, seduct. How did they shape the image of architecture in the heads of its proffesionals? What about the renderings that have now become uncannily ‘realistic’? Is there an architecture of the mind next to the stuff that bricks and mortar made?

Then there is the elusive matter of Transparency. A very popular item these days, almost hard to avoid. We finished the project of the NRC newspaper offices last year in which transparency was an important starting point for the design. A newspaper wants to be transparent for its readers, but of course there still are things that shouldn’t be THAT transparent – and transparency can help you to hide those too. So, how many layers does transparency have? What is actually meant with this word – the thing the window cleaner thinks of, or the politician?

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